Conversations in Philosophy: 'The Will to Bel...

In ‘A Room of One’s Own’, Virginia Woolf writes about how radical it feels to read the sentences: ‘Chloe liked Olivia. They shared a laboratory together…’. Woolf probably didn’t know the work of her contemporary Jean Rhys, but if she had read ‘A Voyage in the Dark’ (1934), she mi ...  Show more

When Thomas Platter, a Swiss tourist, went to see ‘Julius Caesar’ at the Globe Theatre in 1599, it wasn’t Shakespeare’s language that attracted his attention but the ready availability of refreshments and the high quality of the players’ clothes. The revolution in playmaking that ...  Show more

Melvyn Bragg and his guests discuss James Joyce's novel Ulysses. First published ninety years ago in Paris, Joyce's masterpiece is a sprawling and startlingly original work charting a single day in the life of the Dubliner Leopold Bloom. Some early readers were outraged by its se ...  Show more

Peter Capaldi talks about his latest album – Sweet Illusions – a nod to the thriving 80s music scene in Glasgow where Peter made his musical debut fronting The Dreamboys. Through the Shortbread Tin is a new National Theatre of Scotland production about the supposed third century ...  Show more

It is a truth universally acknowledged that tragedy is one of the world's highest art forms, and that Shakespeare was one of the form's greatest practitioners. But how did he do it? What models did he have to draw upon, and where did he innovate? In this episode, Jacke talks to S ...  Show more

Melvyn Bragg and his guests discuss Laurence Sterne's novel Tristram Shandy. Sterne's comic masterpiece is an extravagantly inventive work which was hugely popular when first published in 1759. Its often bawdy humour, and numerous digressions, are combined with bold literary expe ...  Show more