The Vienna Secession

Misha Glenny and guests discuss the French portrait painter Élisabeth Vigée Le Brun (1755 - 1842). From her teens she delighted her high society subjects in and around Paris, notably Marie Antoinette who she painted around 30 times, and she invariably found ways to show her sitte ...  Afficher plus

Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then i ...  Afficher plus

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the ...  Afficher plus

Melvyn Bragg and guests discuss the British phase of a movement that spread across Europe in the mid-19th and early 20th centuries. Influenced by Charles Baudelaire and by Walter Pater, these Decadents rejected the mainstream Victorian view that art needed a moral purpose, and va ...  Afficher plus

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, b ...  Afficher plus

Adolf Loos’s essay ‘Ornament and Crime’ (1910) is considered the classic modernist polemic against the frills and folderols of the established arts of the day. We're in the city of Freud — and the neurotic subtext is very close to the surface. We discuss a little of Loos’s career ...  Afficher plus