Nan Z. Da, "The Chinese Tragedy of King Lear"...

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. ...  Afficher plus

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hie ...  Afficher plus

What happens when one of history’s greatest composers begins to lose the very sense he relies on most? In this episode, we explore how Ludwig van Beethoven continued to create groundbreaking music even as his world fell into silence. Along the way, we uncover the myths, invention ...  Afficher plus

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabi ...  Afficher plus

Kinan performed three musical pieces and spoke about his work as a composer.

Originally from Damascus, Syria Kinan Azmeh is a soloist, composer, and improvisor. He has performed in places such as the Opera Bastille, Hamburg’s Elbphilharmonie, Damascus Opera House, and mo ...

Why does a clarinet play at lower pitches than a flute? What does it mean for sounds to be in or out of tune? How are emotions carried by music? Do other animals perceive sound like we do? How might a musician use math to come up with new ideas? This book offers a lively explorat ...  Afficher plus