Season 2, Episode 11: The End

Two months after the season ended, we return to Winona to see what has changed. Turns out, a lot. Curtis Flowers' mother has died. The whole town is talking about the case. Flowers' defense lawyers are including our findings in their legal filings to the Supreme Court. Citizen ...

In Season 1 of our podcast, we reported that the Jacob Wetterling case was a botched investigation. Just yesterday, law enforcement acknowledged it too.

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained hi ...

Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played ...

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visiona ...

“Hit Man,” a new film directed by Richard Linklater, is not, in fact, about a hit man. The movie follows Gary Johnson (Glen Powell), a mild-mannered philosophy professor who assists law enforcement in sting operations by posing as a contract killer—and playing on the expectati ...