Season 2, Episode 19: Freedom

During three years investigating the Curtis Flowers case, we’d talked to nearly everyone involved: lawyers, witnesses, jurors, family members, investigators, politicians, and many, many people around town. But there was one person we hadn’t yet interviewed — Curtis Flowers. Th ...

Big news! In the Dark has a new home and a new team of partners. The podcast now comes to you from The New Yorker—the legendary home of extraordinary journalism.

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In the Dark is a Peabody Award-winning podcast that tells deeply reported stor ...

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained hi ...

Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played ...

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visiona ...

“Hit Man,” a new film directed by Richard Linklater, is not, in fact, about a hit man. The movie follows Gary Johnson (Glen Powell), a mild-mannered philosophy professor who assists law enforcement in sting operations by posing as a contract killer—and playing on the expectati ...