Season 3, Episode 7: Innocent in My Eyes
Up next
The case against the squad leader, Frank Wuterich, finally goes to trial. To find online-only features, visit newyorker.com/season3. And to get episodes early and ad-free, visit newyorker.com/dark. The audio of Frank Wuterich in this episode comes from the podcas ...
For years, we’d thought what everyone thought: that there were twenty-four civilians killed by Marines in Haditha on November 19, 2005. But maybe everyone was wrong. To find online-only features, visit newyorker.com/season3.
Recommended Episodes
Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained hi ...
Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played ...
In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visiona ...
“Hit Man,” a new film directed by Richard Linklater, is not, in fact, about a hit man. The movie follows Gary Johnson (Glen Powell), a mild-mannered philosophy professor who assists law enforcement in sting operations by posing as a contract killer—and playing on the expectati ...