Season 3, Episode 9: Patient #8

For the past year, the Interactives Department at The New Yorker has been working alongside In the Dark on a remarkable visual exploration of what happened that day in Haditha. Sam Wolson, who co-directed the project, joins the podcast to talk about “Cleared by Fire.” ...

Was it scary to knock on all those Marines’ doors? What was it like to report in Iraq? Is it still possible for any Marines to face consequences for what happened in Haditha? The In the Dark team sits down to answer your questions. 

To view the online-only fea ...

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained hi ...

Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played ...

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visiona ...

“Hit Man,” a new film directed by Richard Linklater, is not, in fact, about a hit man. The movie follows Gary Johnson (Glen Powell), a mild-mannered philosophy professor who assists law enforcement in sting operations by posing as a contract killer—and playing on the expectati ...