Donald Trump, Pete Hegseth, and the Future of...

After nearly twenty-three years behind bars, Curtis Flowers was freed, in part due to In the Dark’s reporting. Now he’s back in Winona, Mississippi, where his saga began. What brought him home, and how is he doing? We visited him to find out. 

New Yorker</ ...

Five family members, murdered. A sixth in prison for life. It’s one of Britain’s most infamous crimes. But did the justice system get it wrong? “Blood Relatives,” a six-part series from In the Dark, is coming on October 28th. 

New Yorker subscribers g ...

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained hi ...

Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played ...

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visiona ...

“Hit Man,” a new film directed by Richard Linklater, is not, in fact, about a hit man. The movie follows Gary Johnson (Glen Powell), a mild-mannered philosophy professor who assists law enforcement in sting operations by posing as a contract killer—and playing on the expectati ...