Ian Page on the music of Gluck

For this week's episode, the composer Nico Muhly and the founder of the Tallis Scholars Peter Phillips join the Gramophone Podcast to talk to Editor Martin Cullingford about their beautiful new release 'No Resting Place', released on Linn Records and an Editor's Choice in the Apr ...  Show more

In this week's edition of the Gramophone Podcast Editor Martin Cullingford was joined by conductor Sir Mark Elder and composer Huw Watkins to talk about the Hallé's new recording of Watkins's orchestral music, featuring his Symphony No 2, Concerto for Orchestra and Fanfare, all w ...  Show more

Captain, We Hit A Schoenberg! Did Arnold Schoenberg break Classical music? Widely considered the greatest composer of the 20th century, Schoenburg’s innovations in ‘atonality’ (a term he detested throughout his life) changed the trajectory of music forever. In this episode, Joann ...  Show more

Vulture critic Nick Quah shares his favorite podcasts of 2022, including "Mother Country Radicals" and "Normal Gossip." Then, New Yorker music critic Alex Ross talks about the year in classical music, highlighting women composers and performers. And, TikTok is a major player in t ...  Show more

On this week's MDLBEAST Radio we’re dropping some favourites from the MDLBEAST archives as well as previews of upcoming records from NarKBeat and Salvatore Ganacci, a BIG BEAST track from J Erazo and a CLASSIC from the one and only George Michael. 

Composer Emile Mosseri is known for his moving scores for the films The Last Black Man in San Francisco, Kajillionaire, and Minari, for which he earned an Oscar nomination. But before he was a film composer, he was a member of the touring and recording band, The Dig. Now he's rel ...  Show more