H.264 vs ProRes 422 — What Filmmakers Need to...

What if you already have the life you’re working toward? In this episode, I take a break from film financing and distribution to share the Mexican Fisherman Story. It’s a simple, inspiring reminder to think about what success means to you, enjoy time with your family, and appreci ...  Show more

Your indie film isn’t automatically worth what you spent making it. In this episode, I break down how the marketplace actually determines an indie film’s value—and why cast, genre, audience, festival exposure, buzz, timing, and buyer demand can matter far more than your productio ...  Show more

SEASON 2 - EPISODE 113 - Technical Knowledge for Cinematographers - with David Mullen

In this special episode of the Team Deakins Podcast, we're joined by our friend and cinematographer David Mullen (Season 1, Episode 83) to discuss what and how much technical knowledge ...

A common mistake among indie filmmakers is not properly deploying the skill set and time of a colorist. In this podcast three professional colorists all with multiple films at Sundance 2020 shed light that clears up the common misunderstandings of color and finishing. Whether y ...  Show more

As an actor, will knowing the ins and outs of cinematography enhance your performance? What’s the best way to go about hiring your post-production team? How do you give honest feedback without ruining your reputation? In today’s episode, No Film School’s Charles Haine, GG Hawkin ...  Show more

Which cameras and lenses are being used at Sundance? Why stunt people deserve an Academy Award even if it doesn’t make the show and verifying SpiceDAO’s $3 million intellectual property mistake…    In this episode, we talk about… Results of the annual No Film School Filmmakers ...  Show more