270 | Jenny Han (The Summer I Turned Pretty):...

Pixar's Hoppers writer, Jesse Andrews, joins Meg to dive into all things Pixar process. They start with Jesse's intriguing journey into writing, from Art History in college to novels to adapting his novel (Me And Earl And The Dying Girl), to animation with his first film, Luca. T ...  Show more

*BRIDGERTON SEASON 4 SPOILER WARNING* Lorien is joined by the fabulous and uber talented showrunner/writer Jess Brownell. Jess has been showrunning Bridgerton for Shondaland/Netflix since season 3, but it took her quite a while to get a shot in a writers room. Jess walks us throu ...  Show more

Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We're here to tell you it isn't. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas ...  Show more

In this episode of the Write Your Screenplay Podcast, Jacob Krueger explores how K-Pop Demon Hunters transforms a wild premise into a moving story. You’ll discover 3 tools every writer can use to elevate their screenwriting: research that makes your world culturally rich and emot ...  Show more

"What I wanted to do with this movie was take this interesting relationship that I have been exploring over the course of my writing, over 20 years, and this dynamic, and set it against the backdrop of something so objectively worse than anything the characters are g ...

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art ...  Show more