279 | Rian Johnson on Writing High-Concept St...

IN YOUR DREAMS writer/directors Alex Woo and Erik Benson join us to talk about writing animated features - from storyboarding as a form of rewriting to building emotional stakes in fantastical worlds. Alex and Erik break down collaboration in animation, adapting personal experien ...  Show more

Noah Baumbach (MARRIAGE STORY, FRANCES HA) and Emily Mortimer (THE PURSUIT OF LOVE, DOLL & EM) join Lorien to talk about co-writing their new Netflix film JAY KELLY, from long conversations and false starts to discovering the emotional core of the story together. They talk about ...  Show more

Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We're here to tell you it isn't. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas ...  Show more

In this episode of the Write Your Screenplay Podcast, Jacob Krueger explores how K-Pop Demon Hunters transforms a wild premise into a moving story. You’ll discover 3 tools every writer can use to elevate their screenwriting: research that makes your world culturally rich and emot ...  Show more

"What I wanted to do with this movie was take this interesting relationship that I have been exploring over the course of my writing, over 20 years, and this dynamic, and set it against the backdrop of something so objectively worse than anything the characters are g ...

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art ...  Show more