Most Producers Only Pay $1 for a Script (Here’s Why)

Most Producers Only Pay $1 for a Script (Here...

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EFM Berlin: Where Serious Filmmakers Make Real Deals

Thinking about attending the European Film Market (EFM) in Berlin? In this episode, I break down how EFM compares to Cannes and AFM, why it’s considered the most professional film market, and why filmmakers with finished projects and real credits get the most value from it. If yo ...  Show more

Rethinking Film Distribution Windows

Film distribution windowing is changing fast. In this episode, Tom Malloy breaks down modern release windows — theatrical, transactional VOD, subscription streaming, and AVOD — and explains why the old rules don’t always apply anymore. Using real-world examples like Netflix films ...  Show more

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