Stephen Lee Naish, "Screen Captures: Film in ...

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous res ...  Show more

Fifty years of changemaking and reform haven't fixed Congress—what does that reveal about American democracy? In Stuck: How Money, Media and Violence Prevent Change in Congress, Maya Kornberg chronicles the efforts of congressional reformers over the last fifty years and document ...  Show more

Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must over ...  Show more

Nina Mae McKinney (1912-1967) was a Black American actress who performed in Hollywood and internationally in the 1930s. She was dubbed “The Black Garbo” and was the first African-American performer to receive a five-year contract with MGM. Yet because of racism and miscegenation ...  Show more

What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously?  With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing ...  Show more

New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History a ...  Show more