The Horror in What You Don’t See—How Sound and Rhythm Build Suspense in 'Undertone'

The Horror in What You Don’t See—How Sound an...

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Director Amy Wang Reveals the Job That Keeps Filmmakers Working After Film School

Writer-director Amy Wang joins the No Film School podcast to discuss her debut feature, Slanted, and the long road from film school to theatrical release. In conversation with GG Hawkins, Wang reflects on leaving Australia for AFI, building a creative community in Los Angeles, le ...  Show more

The Best Distillation of Filmmaking: An A24 Edit Case Study

In this episode, GG Hawkins speaks with editor Harrison Atkins about shaping A24’s How to Make a Killing with director John Patton Ford. Atkins breaks down his path into editing, his holistic “total filmmaker” approach to storytelling, and the editorial challenges of balancing da ...  Show more

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