The Phantom Menace - Duel of the Fates

In 1999, Star Wars and its music were about to change forever. In this introductory episode to the Phantom Menace and prequel trilogy, we discuss how George Lucas and composer John Williams had changed the entertainment industry with their genius, and how their work between trilo ...  Show more

Part 2 of our interview with The Lord of the Rings sound designer David Farmer. We discuss the sounds of the Balrog, the Ents, and other various creatures across all three films. David also describes his technical workflow, and speaks with great fondness about the many months he ...  Show more

Contrairement à des musiques de films comme Star Wars ou bien Alien qui sont très orchestrales, le compositeur Hans Zimmer lui, veut créer des sons inédits.
Selon lui, la musique de science-fiction doit avoir l’air de venir d’une autre planète et d’un autre futur.
Lui ...

Mark Kermode is a brilliant Film critic, writer, broadcaster and co-host of podcasts Kermode and Mayo's Take - and Screenshot.In his book, Surround Sound: The Stories of Movie Music, Mark and fellow author Jenny Nelson, discuss the power that music has on screen.With that in mind ...  Show more

“The Last Showgirl” star Pamela Anderson on her role in the film, and how she’s still a pop culture icon; and “Dune: Part Two” composer Hans Zimmer on why his score should still be eligible for an Oscar. Learn more about your ad choices. Visit megaphone.fm/adchoices 

For our third episode, we look at another great Williams-Spielberg collaboration with the 1993 score to Jurassic Park. This landmark film redefined special effects and Hollywood itself, but what did it do for film music? Join us as we take a look at the main themes for the score ...  Show more