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Ellen and Mark step into the ring to explore cinema's most heavyweight genre, fifty years on from Sylvester Stallone's smash-hit film Rocky. What is it about the boxing movie that makes it not just a sports movie, but a genre of its very own? Critic Christina Newland gives Mark a ...  Show more

Ellen E Jones and Mark Kermode swap film reels for fishing reels, to ponder why fishing onscreen has got us hooked. The net is cast wide to consider everything from industrial scale fleets showcased in films like The Perfect Storm and long running series, Deadliest Catch, to more ...  Show more

Ever since it premiered at Cannes last May, Anora has been the talk of the film world. With the film receiving a wide release this week, critics Kristy Puchko and Peter Knegt explain why this gritty comedy about a New York sex worker and her wealthy Russian suitor has generated s ...  Show more

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work ...  Show more

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. H ...

In a special Anniversary Series discussion, Director Martin Scorsese discusses his film, After Hours, with Actor Griffin Dunne and fellow Director Raymond De Felitta in a screening at the DGA theater in New York. In the conversation, Scorsese discusses original conc ...