Who’s afraid of realism? ‘The Death of Ivan I...

Mary Shelley signed off her introduction to the 1831 edition of Frankenstein by bidding her ‘hideous progeny go forth and prosper’. In this episode of The Man Behind the Curtain, Tom McCarthy and Thomas Jones look at the machinery that Shelley used to assemble her immortal creatu ...  Show more

If historians of medieval London had a patron saint, it might well be Edward I. While many English monarchs chose to leave London to its own devices, Edward decided from the start of his reign in 1272 to put pressure on the city to justify its liberties. The result was a profusio ...  Show more

Melvyn Bragg and his guests discuss James Joyce's novel Ulysses. First published ninety years ago in Paris, Joyce's masterpiece is a sprawling and startlingly original work charting a single day in the life of the Dubliner Leopold Bloom. Some early readers were outraged by its se ...  Show more

Peter Capaldi talks about his latest album – Sweet Illusions – a nod to the thriving 80s music scene in Glasgow where Peter made his musical debut fronting The Dreamboys. Through the Shortbread Tin is a new National Theatre of Scotland production about the supposed third century ...  Show more

Melvyn Bragg and his guests discuss Laurence Sterne's novel Tristram Shandy. Sterne's comic masterpiece is an extravagantly inventive work which was hugely popular when first published in 1759. Its often bawdy humour, and numerous digressions, are combined with bold literary expe ...  Show more

It is a truth universally acknowledged that tragedy is one of the world's highest art forms, and that Shakespeare was one of the form's greatest practitioners. But how did he do it? What models did he have to draw upon, and where did he innovate? In this episode, Jacke talks to S ...  Show more