Klaus Tennstedt at 100: Edward Seckerson reca...

In this week's episode of the Gramophone podcast, the composer Colin Matthews joins Editor Martin Cullingford to talk about his new album of works for voice and ensemble, Sea Scapes, release on the Onyx label. They discuss the challenge of setting poetry, as well as the joy of wo ...  Show more

In this week's Gramophone Podcast, Hugo Ticciati talks to Editor Martin Cullingford about the fascinating new album from his ensemble O/Modernt, released on the Signum label. Called Milestones, it marks 500 years since the death of Josquin, 50 since the death of Stravinsky, and 3 ...  Show more

The great Polish composer Witold Lutoslawski said this after the premature death of his contemporary Grazyna Bacewicz: "She was born with an incredible wealth of musical talent, which she succeeded to bring to full flourish through an almost fanatical zeal and unwavering faith in ...  Show more

Captain, We Hit A Schoenberg! Did Arnold Schoenberg break Classical music? Widely considered the greatest composer of the 20th century, Schoenburg’s innovations in ‘atonality’ (a term he detested throughout his life) changed the trajectory of music forever. In this episode, Joann ...  Show more

Amy Winehouse a 23 ans quand elle est à New-York en plein enregistrement de "Back to Black". Une disque qui sera acclamé par le monde entier. Plus de 20 millions d'exemplaires vendus et 5 Grammy Awards. Un disque qui signe son apogée mais aussi le début de la fin. Partout dans le ...  Show more

Stevie Wonder may be our modern day Mozart. A child prodigy, he joined Motown as a preadolescent where he was marketed as “Little” Stevie Wonder. He wowed audiences with his virtuosic command of the piano, harmonica, drums and of course, vocals. At just 13, he had his first numbe ...  Show more