1000. Learning on the Job

Whether you're writing something "elevated" or "grounded," Pilar helps you build a scene one element at a time. 

Austin Elliott chose to "be the person who cleans the kitchen without being asked," and went on to maintain steady work in the industry. Here he talks about the important lessons he's learned as he advanced from PA to the writers' room. 

If anyone knows her way around a writer's room, it's producer Stacy Rukeyser, who has worked at every level from staff writer, to creator/showrunner. Stacy has a fascinating perspective on how the culture of a TV writer's room has both remained steady and changed wildly in her ne ...  Show more

Chris McKenna tells us about his day job writing for Marvel, while his friend and longtime collaborator Bob Byington talks about carving his career through indie film. Learn more about your ad choices. Visit megaphone.fm/adchoices 

TSL WORKSHOPS EMAIL LIST: www.thescreenwritinglife.co/workshopsFriend of the show Dustin Lance Black is back to talk about the central lynchpin of a great film: the protagonist. Lance is known for his complicated heroes (often real people) who draw us in and don't let go. Today, ...  Show more