Leah Pope Parker, "Light of the Everlasting L...

City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range ...  Show more

Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Cla ...  Show more

We use “Orwellian” to describe everything from campus dust-ups to authoritarian crackdowns. But what did George Orwell actually stand for, what did he get wrong, and what can we learn from him about our age of surveillance capitalism and distraction? Sean’s guest is Laura Beers, ...  Show more

This week David discusses George Orwell’s ‘The Lion and the Unicorn’ (1941), his great wartime essay about what it does – and doesn’t – mean to be English. How did the English manage to resist fascism? How are the English going to defeat fascism? These were two different question ...  Show more

Malcolm has been writing about race and policing for a very long time, going back to the killing of Amadou Diallo in 1999. Sometimes, it is useful to take a step back and consider policing in a broader context. Here we present a chapter from Malcolm's book David and Goliath, whic ...  Show more

George Orwell, a love of wildlife, and Raheem Sterling - but what does it mean to be English in the modern world? In today's episode, Tom and Dominic are joined by the New Statesman editor, Jason Cowley, to discuss England and Englishness in the 20th century. Jason's new book ' ...  Show more