Martha Sprackland & James Butler: John of the...

Venice, September 1974. A chance meeting between a young English artist and Danilo Donati, production manager for Fellini and Pasolini, leads us into a tale of queer love, political intrigue and brutal murder. Emily Watlington wrote in Art in America ‘In our own era of rising fas ...  Show more

In Vocal Break: On Women, Music and Power Lauren Elkin uses her own experience of training as a young soprano in the 1990s as a springboard for a powerful investigation of the female voice, from Maria Callas to Beyoncé and beyond. Part manifesto, part cultural history and all ful ...  Show more

This week, Oonagh Devitt Tremblay is intrigued by the multiple voices in Sarah Moss's new memoir; and Lucy Dallas speaks to artist William Kentridge.'My Good Bright Wolf', by Sarah Moss'Self-Portrait as a Coffee-Pot', by William Kentridge, streaming on Mubi Produced by Charlotte ...  Show more

Renowned writer, cultural critic, and scholar of the demimonde Lucy Sante joins to discuss her career and a new memoir, “I Heard Her Call My Name,” reflecting on her transition and self-actualization in her sixties. Hosted on Acast. See acast.com/privacy for more information. 

Renowned writer, cultural critic, and scholar of the demimonde Lucy Sante joins to discuss her career and a new memoir, “I Heard Her Call My Name,” reflecting on her transition and self-actualization in her sixties. Hosted on Acast. See acast.com/privacy for more information. 

This week, we drop in on a conversation between Mary Beard and two former TLS editors; and Anne Enright joins us to talk about turning poet in her new novel.'Emperor of Rome: Ruling the ancient Roman world', by Mary Beard'Big Caesars and little Caesars: How they rise and how they ...  Show more