Adam Shatz: Visions of America

In The Portrait of a Lady, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer’. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (a ...  Show more

Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on hu ...  Show more

This week, we drop in on a conversation between Mary Beard and two former TLS editors; and Anne Enright joins us to talk about turning poet in her new novel.'Emperor of Rome: Ruling the ancient Roman world', by Mary Beard'Big Caesars and little Caesars: How they rise and how they ...  Show more

With Stig Abell and Thea Lenarduzzi – Eimear McBride on the dark side of bad sex writing and why a new anthology is nothing to be snickered at; Diana Darke on the stories of two young women who have fled war in the Middle East and the new pressures they face; and Jenny Hendrix jo ...  Show more

This week, Ben Hutchinson on the making of Franz Kafka, a century after the writer's death; and an interview with Roz Dineen about her vision of climate catastrophe and societal collapse.'Kafka: Making of an icon', Weston Library, Bodleian, Oxford, until October 27Accompanying bo ...  Show more

This week, Lisa Hilton on the truth behind life as a 'grand horizontale'; and Juliette Bretan explores why Virginia Woolf served up boeuf en daube in To the Lighthouse.'Kingmaker: Pamela Churchill Harriman’s astonishing life of seduction, intrigue and power', by Sonia Purnell'Eur ...  Show more