Seamus Perry: Pluralism and the Modern Poet

In The Portrait of a Lady, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer’. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (a ...  Show more

‘The very word “America” remains a new, almost completely undefined and extremely controversial proper noun,’ James Baldwin wrote in 1959. ‘No one in the world seems to know exactly what it describes, not even we motley millions who call ourselves Americans.’ Donald Trump’s visio ...  Show more

This week, we drop in on a conversation between Mary Beard and two former TLS editors; and Anne Enright joins us to talk about turning poet in her new novel.'Emperor of Rome: Ruling the ancient Roman world', by Mary Beard'Big Caesars and little Caesars: How they rise and how they ...  Show more

With Stig Abell and Thea Lenarduzzi – Eimear McBride on the dark side of bad sex writing and why a new anthology is nothing to be snickered at; Diana Darke on the stories of two young women who have fled war in the Middle East and the new pressures they face; and Jenny Hendrix jo ...  Show more

This week, Ben Hutchinson on the making of Franz Kafka, a century after the writer's death; and an interview with Roz Dineen about her vision of climate catastrophe and societal collapse.'Kafka: Making of an icon', Weston Library, Bodleian, Oxford, until October 27Accompanying bo ...  Show more

This week, Lisa Hilton on the truth behind life as a 'grand horizontale'; and Juliette Bretan explores why Virginia Woolf served up boeuf en daube in To the Lighthouse.'Kingmaker: Pamela Churchill Harriman’s astonishing life of seduction, intrigue and power', by Sonia Purnell'Eur ...  Show more