In the early 1860s, Tennyson was at the height of his celebrity. His great elegy, In Memoriam (1850), seemed to have captured the spiritual unease of the age, and the first instalment of Idylls of the King came in 1859. But in 1861 he took a break from Arthurian romance to try so ...Show more
The Man Behind the Curtain: ‘Ulysses’ by James Joyce
Tom McCarthy, writing in the LRB, described James Joyce's Ulysses as a ‘heavy book, a book full of weight, a fallen book’; a ‘properly obscene book’; ‘a book in which the central stake is the coming into being of the book itself’; a book for which ‘people should desist, once and ...Show more
Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we've explored language, meaning, and their overlap with that thing we mean when we use language to say "poetry." In this episode we step back to some origins, including, at a meta-level, the origins of ...Show more
This week, AE Stallings, the new Oxford professor of poetry, on the lives of poets; and Ann Kennedy Smith considers the different faces of Cornwall.'Sleeping on islands: A life in poetry', by Andrew Motion'The American poet laureate: A history of US poetry and the state', by Amy ...Show more
This week, poet Camille Ralphs explains why she submitted to WH Auden's exacting syllabus; and Toby Lichtig joins us to preview the autumn's notable fiction.'Daydream College for Bards', by Camille Ralphs'The Fraud', by Zadie Smith'North Woods', by Daniel Mason'The Variations', b ...Show more