'The Godfather’ Made Sofia Coppola Protective of Actors

'The Godfather’ Made Sofia Coppola Protective...

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Becca Heller - Summer Staff Picks

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Becca Heller. On January 27th, 2017, Donald Trump issued the travel ban barr ...  Show more

Richard Kind - Summer Staff Picks

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Richard Kind. Single-handedly redefining the term “character actor,” the acc ...  Show more

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Sofia Coppola
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Sofia Coppola (Lost in Translation, Marie Antoinette, The Virgin Suicides) is an Academy Award & Golden Globe Award-winning screenwriter, director, producer, and actress. Sofia chats with the Armchair Expert about spending her childhood on set, how comfortable she always felt the ...  Show more

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Francis Ford Coppola is a critically acclaimed filmmaker, screenwriter, and producer, best known for directing The Godfather trilogy. A key figure in the New Hollywood movement of the later 20th century, he redefined American cinema with bold storytelling and technical innovation ...  Show more

#298: Family History, Pt. 1 – The Godfather, Part II
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The new Sopranos-inspired film THE MANY SAINTS OF NEWARK is both a prequel and a follow-up to one of the most acclaimed and influential mafia stories ever told, a description that also applies to Francis Ford Coppola’s 1974 film THE GODFATHER: PART II. Coppola’s follow-up to his ...  Show more

Sofia Coppola — PRISCILLA, from source to soundtrack
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In a wide-ranging interview, Sofia Coppola tells host Rico Gagliano all about the making of her new Priscilla Presley biopic—from the Kubrick flick that inspired her opening sequence...to picking the soundtrack full of pop tunes by just about everyone except Elvis.

It ...

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