Gustavo Santaolalla — How Movie Music Moves U...

From Krista: I'm on record bemoaning across the years that “love” is the most watered-down word in the English language. I know that invoking love feels very soft for our hard realms of politics and war. Yet it is an enduring truth that love is the only force as powerful in a hum ...  Show more

From Krista: I was longing for a deep dive on the radiant and common-sense hope that Jason Reynolds embodies after I interviewed him at a Georgetown event last year. I got my chance at the 2025 Aspen Ideas Festival. Jason’s perspective is so urgent for the world we've now walked ...  Show more

It's a safe bet that any writer / director who borrows song titles to name his own films is something of an audiophile. Richard Linklater is unquestionably one of these. From Dazed and Confused To Boyhood and the so-called 'Before' Trilogy, the amiable Texan has forged a career m ...  Show more

Our latest guest on Soundtracking is a composer we've been trying to pin down since day one of the podcast, back in 2016.Alexandre Desplat is a true giant of the film scoring business, having been nominated for numerous Oscars and winning one for his work on Wes Anderson's Grand ...  Show more

We continue our listen to Morricone's groundbreaking, stylish scores for director Sergio Leone and his "Spaghetti Westerns," including a close examination of For a Few Dollars More, and The Good, The Bad, and The Ugly. The cultural impact of these movies is also discussed, and we ...  Show more

We have a proper legend for you on our latest episode of Soundtracking in the shape of virtuoso trumpeter and composer, Terence Blanchard. A well-established jazz musician in his own right, Terence was given a break scoring Jungle Fever by Spike Lee, for whom he's subsequently be ...  Show more