Episode 2: The Liszt Factor

Episode 2: The Liszt Factor

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Episode 10: John Williams and the Chamber of Star Wars

David Walliams takes a ride through the magical career of legendary film composer John Williams, from Star Wars to Harry Potter – with a little help from a ghost. Each episode is also accompanied by a playlist in Apple Music – you can find those here: https://itunes.apple.com/gb/ ...  Afficher plus

Episode 9: Weird Instruments

From a helicopter quartet to a vegetable orchestra, prepare to have your idea of what an ‘instrument’ can be blown wide open. David Walliams explores some of the most fantastical, needlessly complex and sometimes tasty musical instruments that human beings have ever created. Each ...  Afficher plus

Épisodes Recommandés

Franz Liszt: Hungarian pianist and painter in sound
The Forum

A proud Hungarian by birth, Franz Liszt was a pioneer both in his piano playing and in his compositions. He was also the nearest thing to a rock star that classical music had in the 19th century. Fans would reportedly swarm over him, try and grab his gloves, even smoke his discar ...  Afficher plus

Lisztomania!
Today In History with The Retrospectors

The German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shou ...  Afficher plus

Liszt: Excerpts from Hungarian Rhapsody No. 2 in C Sharp
Lisztonian: Classical Piano Music

This is the piece of music made famous by Bugs Bunny! One of the all-time favorite classical piano works - Liszt's Hungarian Rhapsody No. 2. I only recorded excerpts from this piece for two reasons. First, because I used this as an audition piece for a talent competition for whic ...  Afficher plus

Liszt: (Evening Harmonies) Transcendental Etude No. 11
Lisztonian: Classical Piano Music

This recording is a live performance given at a solo recital in January of 2003. The recording was made on a nine-foot concert grand piano in a small recital hall. This Etude was the first of Liszt's transcendental Etudes that I studied. I fell in love with the harmonies and chor ...  Afficher plus