Episode 26: Danny Boyle On The Music Of Train...

Our latest guests on Soundtracking are Bart Layton and composer Benjamin Power - AKA Blanck Mass - who join us to discuss their collaboration on Bart's new film Crime 101, which he wrote and directed. Featuring a star-studded cast, it tells the story of a jewel thief operating al ...  Show more

Now we know Edith said we are going easy on the bonus episodes in 2026, but like all the best new year resolutions, that's gone right up the swanny. Because ... there are simply too many great movies and wonderful creatives around. Case in point - Pillion - written and directed b ...  Show more

We wrap up our season on great needle drops with an interview mixtape. Host Rico Gagliano talks to three legendary music supervisors about their iconic pairings of music and image...a bunch of which likely provided the soundtrack to some part of your life.

Featuring R ...

Danny Elfman's origin story is as fascinating as his music. We discuss his incredible success with Oingo Boingo, as well as his long-time collaboration with director Tim Burton. We explore the origin of his European "Doom-pah" sound, his humor, and his very first films with Burto ...  Show more

In our second episode on the music of Karate Kid, we take a close look at the music of Mr. Miyagi, the pan flute music of Zamfir, and how it tells the story of Miyagi and Daniel's friendship. More songs are discussed, and we hear restored music in the movie's dramatic finale for ...  Show more

In part 2 of our look at Alfred Hitchcock's Psycho, we discuss how composer Bernard Herrmann skillfully builds tension with his use of repetition early on in the score. In the second half of the film, as a new, 3-note motive emerges, we break down its musical characteristics, and ...  Show more