Episode 170: Todd Phillips On The Music Of Jo...

It's a very happy return to Soundtracking to one of our very faves, Hildur Guðnadóttir, who joins us to discuss her work on Hedda, 28 Years Later: The Bone Temple and, most recently, The Bride!. Both Hedda and The Bone Temple were directed by Nia DaCosta, who has been a guest twi ...  Show more

Our latest guests on Soundtracking is Oliver Laxe co-writer and director of Sirat. Sirat sees Luis and his son travel through Morocco from party to party in search of Luis's daughter, who has been missing for five months having last been seen at a rave in the desert. It features ...  Show more

Our staff picks continue at “Here’s The Thing,” where throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2021 interview with Hans Zimmer, one of the most celebrated and successful film composers of all time. ...  Show more

In part 2 of our look at Alfred Hitchcock's Psycho, we discuss how composer Bernard Herrmann skillfully builds tension with his use of repetition early on in the score. In the second half of the film, as a new, 3-note motive emerges, we break down its musical characteristics, and ...  Show more

A huge episode of Music Life this week sees one of the most versatile composers working today, Max Richter (Peaky Blinders, Black Mirror, Ad Astra, Mary Queen of Scots), ask renowned creators of music for film, TV and the stage how they got their starts in the music business, the ...  Show more

That's right, woodchuck-checkers, it's Groundhog Day Day! The sensational musical adaptation of the beloved Harold Ramis-Bill Murray comedy is now back on the London stage at The Old Vic, and in this interview special Chris Hewitt sits down with Danny Rubin, writer of the origina ...  Show more