Episode 170: Todd Phillips On The Music Of Jo...

Our latest guests on Soundtracking are director Olivia Newman and composer Dickon Hinchliffe, who join me to discuss Dickon's score for Olivia's Netflix film, Remarkably Bright Creatures. Based on the international bestseller of the same name by Shelby Van Pelt, it tells the stor ...  Show more

Our latest guest is Kristin Scott Thomas, who joined Edith in front of an audience for our Soundtracking Film Club at Everyman Whiteley's to discuss her new film My Mother's Wedding - which she has co-written and directed, and also stars in. This is the first of our events in par ...  Show more

Our staff picks continue at “Here’s The Thing,” where throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2021 interview with Hans Zimmer, one of the most celebrated and successful film composers of all time. ...  Show more

In part 2 of our look at Alfred Hitchcock's Psycho, we discuss how composer Bernard Herrmann skillfully builds tension with his use of repetition early on in the score. In the second half of the film, as a new, 3-note motive emerges, we break down its musical characteristics, and ...  Show more

A huge episode of Music Life this week sees one of the most versatile composers working today, Max Richter (Peaky Blinders, Black Mirror, Ad Astra, Mary Queen of Scots), ask renowned creators of music for film, TV and the stage how they got their starts in the music business, the ...  Show more

That's right, woodchuck-checkers, it's Groundhog Day Day! The sensational musical adaptation of the beloved Harold Ramis-Bill Murray comedy is now back on the London stage at The Old Vic, and in this interview special Chris Hewitt sits down with Danny Rubin, writer of the origina ...  Show more