Why Would a Museum Display Skulls of Enslaved...

As a child, Alan Michelson often rode the T past sculptor Cyrus Edward Dallin’s “Appeal to the Great Spirit” (1908) outside the Museum of Fine Arts, Boston (MFA). He was riveted by the statue’s grand horse and the powerful yet melancholy figure wearing a striking Plains Indian wa ...  Show more

When World War II broke out, museums across France took their most precious artworks off the walls and hid them away for safekeeping from bombing. But no one suspected the greatest threat to these treasures: the Nazis’ massive art looting scheme, wherein they sought to plunder mu ...  Show more

What’s inside that boarded up house? Should you explore an abandoned mall? A vacant factory? And how much of an old house ends up in a landfill? The founder of Domicology, Dr. Rex LaMore of Michigan State University’s Center for Community and Economic Development, is an expert ...

Jamil Smith talks with Erin Thompson, professor of art crime and author of Smashing Statues: The Rise and Fall of America's Public Monuments. They discuss why we honor horrible people from the past in metal and stone, what effects these objects have on our present, and what's kee ...  Show more

A discussion with Nora Razian (Head of Exhibitions at Art Jameel) about recent exhibition trends in museums and galleries, specifically how 'research based art' is presented and translated into a final piece of artwork.  The discussion includes questions about the proposition of ...  Show more

The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak acro ...