Mark Morris on Florine Stettheimer's Costume ...

Over the last 29 editions art critic Alastair Sooke, in the company of some of the leading creatives of our age, has dived into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. In this final edition, Alastair makes h ...  Show more

Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. Today's edition features playwright, librettist and ...  Show more

Ninety years since Dame Ninette de Valois founded what we know now as the Royal Ballet and 75 since her post war production of Sleeping Beauty, Tom Sutcliffe talks to Marianela Núñez, Principal Ballerina at the Royal Ballet about Sleeping Beauty's significance in the Royal Ballet ...  Show more

Harry Everett Smith is an odd figure to come across in an art museum. That's because he's not known primarily as a visual artist at all. For most, Harry Smith is probably best known as the compiler of the legendary Anthology of American Folk Music, a landmark collection of early ...  Show more

Est-ce l’originalité qui fait l'œuvre d’art ? Et peut-on considérer le copieur comme un véritable artiste ?

La « copieuse » en question, c’est Elaine Sturtevant, une artiste conceptuelle américaine née dans le nord des Etats-Unis en 1924. Après des é ...

Flemish painter Michaelina Wautier’s style was realistic and detailed, with a dark, almost somber color palette. And for a long time, she remained an unknown, even among art historians.

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