Most Producers Only Pay $1 for a Script (Here’s Why)
What is an option agreement and how do indie producers legally control a screenplay without buying it upfront? In this episode, Tom breaks down film option agreements, $1 options, term lengths, writer payments, and how rights revert if a movie doesn’t get made. A practical, no-no ...Show more
EFM Berlin: Where Serious Filmmakers Make Real Deals
Thinking about attending the European Film Market (EFM) in Berlin? In this episode, I break down how EFM compares to Cannes and AFM, why it’s considered the most professional film market, and why filmmakers with finished projects and real credits get the most value from it. If yo ...Show more
Rethinking Film Distribution Windows
Film distribution windowing is changing fast. In this episode, Tom Malloy breaks down modern release windows — theatrical, transactional VOD, subscription streaming, and AVOD — and explains why the old rules don’t always apply anymore. Using real-world examples like Netflix films ...Show more
What Makes a Film Marketable?
What makes a film marketable in today’s crowded film marketplace? In this episode, we break down the real factors that determine whether a movie sells — from cast and genre to niche audiences, timing, and cultural trends. Learn why trying to appeal to everyone often backfires, ho ...Show more
The Right Way to Talk About ROI in Film Financing
Understanding ROI is critical when pitching film investors—but most filmmakers either oversell it or avoid it completely. In this episode, Tom Malloy breaks down film ROI using simple math, a $1M example, and real investor expectations. You’ll learn how to present hypothetical re ...Show more