Critics at Large | The New Yorker

In May, two low-budget movies from début filmmakers opened in theatres and quickly made box-office history. “Obsession” and “Backrooms,” which together have grossed nearly a billion dollars, defied conventional industry wisdom and inaugurated the burgeoning genre of “Gen Z horror ...  Show more

During her tenure as The New Yorker’s television critic, Emily Nussbaum famously railed against ranking the year’s best shows; she once wrote a piece entitled “I Hate Top Ten Lists.” But naming her favorite series of all time is an easier proposition, and the honor goes to a litt ...  Show more

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation applies in the culinary realm. The two discuss specialty ingredients that appear on ...  Show more

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfacing beloved cult classics, Vinson Cunningham talks with Hanif Abdurraqib, a cont ...  Show more

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of which were awarded Pulitzer Prizes—his œuvre also includes a mystery set amid rival ...  Show more